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'Caravaggio is the first artist in history whose paintings seem directly concerned with his own life. Ten years before Shakespeare invented Hamlet, Caravaggio painted Saint Francis in solitary dialogue with a skull. Caravaggio introduced soliloquy into painting at the same time that Shakespeare perfected it in drama.' / John T. Spike 'If Caravaggio were alive today, he would have loved the cinema; his paintings take a cinematic approach. We filmmakers became aware of his work in the late 1960s and early 1970s, and he certainly was an influence on us. The best part for us was that in many cases he painted religious subject-matter but the models were obviously people from the streets; he had prostitutes playing saints. There’s something in Caravaggio that shows a real street knowledge of the sinner; his sacred paintings are profane.' / Martin Scorsese
